Tutorials

RHINO 7 = RHINO 5 PLUS SCULPTRIS

1 1 Beginner
Rhino introduced the SubD command bar in releases 6 and 7. If you still have the previous releases (4-5) one solution I've experimented with is to bundle Rhino 5 with free art modeling software. Even though I have the Rhino 7 release, I can't load it on one of old laptop of mine, so I tried SCULPTRIS, freely downloadable from the web: https://en.wikipedia.org/wiki/Sculptris Files can be exchanged in .OBJ. One limitation of Sculptris is that it sometimes has difficulty importing complex objects. Another limitation of Sculptris is that the starting object to be modeled is a sphere, when instead it would be preferable to start from a cube. This is only a starting free solution, which can be implemented with other more complete artistic software.

Filling basic 6-sided holes in Rhino (ver. 3)

1 0 Beginner
This tutorial shows how to fill a 6-sided hole surrounded by simple planar surface transitions in Rhino.

Loft magic

1 0 Beginner
When it comes to organic NURBS shapes like that, nothing can beat the quality, simplicity and History-enabled modification that Loft with the “Loose” option provides. A good practice is to use profile curves with the same degree and amount of control points. I started by creating the round base by using the Circle command with the “Deformable” option and 8 control points. Then, I simply copied it a few times and modified each one individually by moving its control points in the desired location. I also used Scale 3D and Scale 1D to adjust the overall size of each profile curve. As I moved or modified each intermediate curve, the History-enabled Loft surface updated in real-time, thus it let me decide what changes I needed to make to achieve the desired shape. NOTE: In this example initially I used the “Normal” option of Loft, which is not a good way to do the shape. The video capture was interrupted for some reason and stopped far earlier, so you will not see how I then deleted the loft surface and create

Rhinoceros - cutting and contouring

1 0 Beginner
https://www.youtube.com/watch?v=sDjpMMYhnsQ&list=PLZA1OpYthfNSRPV6-OsOi87TP5YlY5BtA&index=2

TUTORIALS BIRD STAND

1 0 Expert
Simple and easy process of 3D modeling and rendering of interior decoration. This can be used as a centerpiece, and also for adding grace to decoration.

Loft to simulate a full round fillet between 3 surfaces

1 0 Beginner
In cases where 3 surfaces meet together and the goal is to create a full round fillet in-between, the top surface could be used to extract an isocurve that’s then used as a middle profile for a “Loft surface”. The two main vertical surfaces are shortened by the amount of approximate radius (in this example, the radius is 5 mm, because the two main surfaces are 10 mm far from each other) and set to tangent start and end for the loft operation. That would maintain the desired top limit for the rounded surface, though it will not produce a true radius fillet.

JP_011_GrabCAD Print: 「マットかグロス?」3D造形でどのような場合にどちらの仕上げを使用すればよいのか

1 0 Beginner
マット(艶消し)にするか、それともグロッシー(光沢)にするか、それが今回のテーマです。 PolyJetプリンタをお使いの皆さんは、部品をマット仕上げにすべきか、グロッシー仕上げにすべきかで悩むことがよくあります。 皆さんが頭を悩ませるのも無理ありません。それ以外の点はまったく同じの2個の部品でも、仕上げのタイプが異なると、見た目、感触、色、そして強度や耐久性までもががらりと変わってしまう可能性があるのです。どちらの仕上げにもそれぞれ、考慮すべき独自のメリットと影響があります。 このチュートリアルでは、マット仕上げとグロッシー仕上げの概要を説明し、それぞれの長所と短所を比較し、それぞれのタイプがどのような仕上がりにつながるのかを明確に示す例を紹介します。そして最後に、どのような場合にどちらの仕上げを使用すればよいのかを簡単に分類してまとめとします。

Match surfaces manually

1 0 Intermediate
One disturbing issue with "Match surface" is that it will try to transfer the 1st and 2nd row of control points to the target edge while keeping the distances between them relatively unchanged. This is usually great for the majority of users, because it's predictable and even usable in specific cases. However, there must be an option to "unclock" the aforementioned correlation between the 1st and 2nd row of control points and instead let "Match surface" adopt the same distances as the target control points. With that option turned on, the surface to be matched will become perfectly matched to the target one. To demonstrate the HUGE advantage of a potential "Adopt" option that I just described, here is a simple way to achieve the necessary correlation between the 1st and 2nd row of control points by "mirroring" the distances from the target surface to the opposite one. Lets hope that "McNeel" will consider adding such an option in the future releases of Rhino.

Blend surface - Advanced Planar sections (tutorial 2)

1 0 Beginner
Blend surface with advanced "Planar sections" option

Editable tween curve on surface or polysurface

1 0 Beginner
History in Rhino 7 must be turned on, in order for the modifications on the input surfaces to affect the output tween surface and its corresponding curve intersection. The latter could be further simplified via the "! _RemoveMultiKnot" command, though that will destroy the history and also may cause the curve to no longer sit perfectly accurate on the surface/polysurface.

GrabCAD Print Pro™ - Per Part Groups For Service Bureaus

1 0 Expert
The premium version of GrabCAD Print™, GrabCAD Print Pro™ is now available! This version includes new & enhanced features. This tutorial will explain per part estimation & assembly grouping!

Super ring tutorial

1 0 Beginner
Modeling tutorial for creating a ring in Rhino 7 with a single, history-enabled editable lofted surface.

Rhinoceros tutorials Building part 2 Parametric modeling 3d Rhinoceros Grasshopper

0 0 Beginner
Tutorial edificio parte 2 . Ésto es un tutorial para diseñar a partir de modelos 3d realizados en Rhinoceros y programación visual en Grasshopper. (English) This is a tutorial to design from three-dimensional models made in Rhinoceros and visual programming made in Grasshopper.We include architecture, design, three-dimensional models and programming with the support of software technology regards! subscribe ! MATGICAL@blogspot.com f DigitalMagical magicaldigital Ig

How to create a ring in Rhino

0 0 Intermediate
Modeling tutorial for creating a ring in Rhino 7.

Helix around a freeform object

0 0 Beginner
Create helix around a freeform object.